Neutral sixth
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A neutral sixth is a musical interval wider than a minor sixth ooui-php-2play but narrower than a major sixth ooui-php-3play. Three distinct intervals may be termed neutral sixths:
• The undecimal neutral sixth has a ratio of 18:11 between the frequencies of the two tones, or about 852.59 cents. ooui-php-4play
• A tridecimal neutral sixth has a ratio of 13:8 between the frequencies of the two tones, or about 840.53 cents.cite-ref-3[3] This is the smallest neutral sixth, and occurs infrequently in music, as little music utilizes the 13th harmonic. ooui-php-5play
• An equal-tempered neutral sixth is 850 cents, a hair narrower than the 18:11 ratio. It is an equal-tempered quarter tone exactly halfway between the equal-tempered minor and major sixths, and half of an equal-tempered perfect eleventh (octave plus fourth). ooui-php-6play
These intervals are all within about 12 cents of each other and are difficult for most people to distinguish. Neutral sixths are roughly a quarter tone sharp from 12 equal temperament (12-ET) minor sixths and a quarter tone flat from 12-ET major sixths. In just intonation, as well as in tunings such as 31-ET, 41-ET, or 72-ET, which more closely approximate just intonation, the intervals are closer together.
A neutral sixth can be formed by subtracting a neutral second from a minor seventh. Based on its positioning in the harmonic series, the undecimal neutral sixth implies a root one minor seventh above the higher of the two notes.
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• See also
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Thirteenth harmonic
The pitch ratio 13:8 (840.53 cents) is the ratio of the thirteenth harmonic and is notated in Ben Johnston's system as A13♭. In 24-ET is approximated by A. This note is often corrected to a just or Pythagorean ratio on the natural horn, but the pure thirteenth harmonic was used in pieces including Britten's Serenade for tenor, horn and strings.cite-ref-4[4]
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References